SARAH NICOLE FRANÇOIS

Kenya Moore accurately depicts a day in my life 

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Ajak Deng, lips

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"Some people underestimate how erotic it is to be understood."
Mary Rakow (via mocsow)

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foxxxynegrodamus: HAPPY BIRTHDAY TO ONE OF THE BADDEST BITCHES IN THE ACADEMIC GAME <3

mangoestho:

lil carynn is my essence.

BLACK GIRL GENIUS HITTING ME IN THE INBOX THO! THANK YOU BBY! I’M SO HAPPY AND THANK YOU SO MUCH !!!!!!!!!!!!!!!!!! LIKE WE BOTH HERE TO FUCK IT UP IN THE IVORY TOWER AND MAKE US SEE OUR LABORS OF LOVE LIKE… FUCK WIT US!!!!!!!!! THANK YOU SARAH!

LMFAO YOU ARE EVERYTHING!!!!!!

howtobeafuckinglady:

vivaversace:

Have been waiting for this gem for 15 years..I remember watching Style with Elsa Klensch’s report on Milan Fashion Week Fall/ Winter 1997 and being mesmorized a the Gianni Versace Collection. So modern, so elegant, minimal yet exiting. He changed his runway format from fashion concert to no supermodels except his beloved Naomi,  with little make-up on the fresh girls and a simple presentation featuring wearable clothes inspired by contemporary art and light. The energy was still there in the bold casting and the techno metal mesh finale of course. I was also happy to see Elsa Benitez closed the show, my fave new girl at the time because she was from Mexico. The direction Gianni Versace was going was a bold new one, designers like Miuccia Prada and Tom Ford had ushered in a new kind of “minimal” luxe and it was interesting to see how the King of Excess was changing with the times. This is the Gianni Versace I remember the most, a very intellectual designer sharply focusing on tailoring, silhoutte, and use of color and light. Tragically this would be Gianni’s last Ready to Wear Collection, but we are left with these great images of a man and his craft at the top of his game, R.I.P Gianni Versace

I was telling my two queers quickweaves towongfoo how amazing this show was the other day 

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